ANSWER TO ALL YOUR TRAVEL QUESTION
Marta had a problem. Not a big one. Not the kind doctors fix. But the kind that made her lie awake at 2 a.m. three weeks before a trip, staring at the ceiling, whispering: "Do I tip the hotel cleaner in Budapest? What if there's no cleaner? What if there IS a cleaner and I DON'T tip and she thinks I'm a monster?"
She packed notebooks full of these questions. Her best friend, Zoe, once watched her label a page "Eye Contact: Allowed or Not?" and said, "Marta. You need therapy or a beer."
Marta said, "Both. But first, tell me about Indonesia."
Zoe shrugged. "I don't know. I just showed up and figured it out."
Marta almost fainted.
---
Then came Lisbon. Marta was sitting in a hostel common room, nursing a cheap glass of vinho verde, when an old man sat down across from her. His name was Kai. He looked like a tree root that had learned to walk—gnarled, brown, deeply patient. He wore sandals with socks. He carried no phone.
"You're thinking too hard," he said.
Marta blinked. "How did you—"
"Your eyebrows. They're doing calculus."
She laughed. Then she pulled out her notebook. "Please. You've traveled everywhere. What's the answer? The one answer to ALL my travel questions? Tipping, greeting, eating, smiling—everything."
Kai didn't answer right away. He poured her more wine. Then he told her three stories.
Story one: He was twenty-two in Morocco. A boy maybe twelve years old offered him water from a clay cup. Marta nodded—that sounded normal. But Kai said, "What I didn't know was that the man standing behind the boy had just called my father a very ugly word in Arabic. I didn't understand it at the time. But the boy did. And he still gave me water. That wasn't politeness. That was grace."
Story two: In Osaka, he blew his nose at a street food stall. An old woman grabbed his wrist. He thought he was about to be thrown out. Instead, she pulled a clean handkerchief from her sleeve—pressed it into his hand—and said something sharp in Japanese. Later, someone translated: "Not in front of the food. But here. Take mine."
"That wasn't a rule," Kai said. "That was her choosing to be kind to an idiot foreigner."
Story three: In the Andes, he got lost. A farmer found him shivering at dusk. The farmer had one potato. One. He cooked it over a fire, cut it in half, and gave the bigger half to Kai. Then the farmer sat there, hungry, watching Kai eat. When Kai tried to give some back, the farmer shook his head. Not because of a custom. Because Kai looked like he needed it more.
Kai set down his glass. "You see? There's no answer, Marta. There's just a million small moments. And in every single one, you will probably do something wrong. You will tip when you shouldn't. You will hug when you should bow. You will slurp your noodles or not slurp your noodles, and someone will silently judge you."
Marta's stomach sank. "So what's the point?"
"The point," Kai said, "is that almost nobody expects you to be perfect. They just expect you to try. To watch. To say 'sorry, I'm learning' in a language you clearly butchered. To laugh at yourself when you accidentally eat the garnish."
He leaned back. "The real answer to all your travel questions? It's not in your notebook. It's in your willingness to look like an idiot. Because looking like an idiot means you're paying attention. And paying attention—that's the only politeness that actually works everywhere."
Marta stared at him. Then, slowly, she closed her notebook. She hadn't written a single word.
That night, she slept like a rock. No ceiling-staring. No tipping calculations.
The next morning, she walked into a tiny bakery in Alfama. The baker was a round man with flour on his ears. He handed her a warm pastel de nata. Marta had no idea what to do. Pay first? Eat first? Compliment his mustache?
So she just smiled. She bowed her head a little—not a Japanese bow, just a weird, awkward, Marta-shaped bow. And she said, in Portuguese she'd learned from a five-minute YouTube video at 3 a.m.:
"Desculpa. Eu sou uma turista burra. Mas obrigada."
Sorry. I'm a dumb tourist. But thank you.
The baker froze. Then he laughed—a big, wet laugh that made his whole belly shake. He said something fast in Portuguese that she didn't understand, but his eyes crinkled up, and he handed her a second pastry. Free.
She ate both on a stone wall overlooking the river. Egg yolk on her chin. No napkin. No idea if that was rude.
And for the first time in her life, she didn't care.
Because she had tried. And that had been enough.
📚 Vocabulary
Words from this article that appear in our vocabulary books.
| Word | Definition |
|---|---|
| About | a bit more or a bit less |
| Actually | 1) in fact used to emphasize the real or exact truth of a situation 2) (spoken) used to add new information to what you have just said, to give your opinion, or to start a new conversation |
| Awake | not sleeping |
| Awkward | clumsy; not well-suited to use; not easily managed; embarrassing |
| Cut | an injury made when the skin is cut with something sharp |
| Enough | as good, well, old, long, etc. as is necessary |
| Expect | to think or believe something will happen, or someone will arrive |
| Eyebrows | the lines of short hairs above eyes in humans |
| Five | 5 |
| Fix | put sth right that is broken or damaged |
| Foreigner | person from an other country |
| Found | to establish: start up a philanthropic organization # establish |
| Half | either of the two equal or nearly equal parts that together make up a whole |
| Judge | estimate 1)noun: someone who decides on the result of a competition 2)verb : to decide on the result of a competition |
| Laugh | to smile while making sounds with your voice that show you think something is funny or you are happy |
| Like | used to introduce an example (SYN such as) |
| Look | turn your eyes to sth and pay attention to it; seem from what you can see |
| Means | ways # methods |
| Minute | very small: tiny, minuscule, miniature |
| One | 1 |
| Patient | able to stay calm and wait for sth/sb |
| Round | shaped like a ball or circle, or curved |
| Say | the right to take part in deciding sth (give sb a say/have a say in sth) |
| See | know or notice sth using your eyes |
| Shake | to move backwards and forwards or up and down in quick, short movements |
| Sharp | very large and sudden |
| Stone | the hard, solid substance found in the ground that is often used for building, or a piece of this |
| Take | require |
| Therapy | treatment of a physical or mental problem or illness |
| Three | 3 |
| Tiny | very small |
| Tip | a piece of practical advice |
| Trip | a journey to a place and back again |
| Twelve | 12 |
| Twenty | 20 |
| Two | 2 |
| Wall | a vertical structure, often made of stone or brick, that divides or surrounds something |
| Weird | mysterious; unearthly |
| Whole | entire |
| Wrong | cousing problems or difficulties |
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